The Amphibian Modules are modular synthesizers that communicate through electrodes submerged in lightly salinated deionized water. Electrical connections form dynamically based on proximity, creating complex and shifting networks of modulation that would be difficult to replicate with traditional patching. Each module functions independently, with a single-board design that integrates the faceplate and circuitry, allowing for modular reconfiguration and simplifying construction. 

The EV is a hybrid digital-acoustic bowed string instrument designed to map nuanced string performance gestures to responsive digital synthesis. It uses quad-infrared pickups for discrete per-string sensing and runs low-latency DSP on four embedded Bela Mini boards—one per string. By convolving synthesized sound with the instrument’s own acoustic signal, the EV produces a hybrid timbre that integrates acoustic immediacy with digital control.

Gajveena is a 6’11” nine-stringed acoustic bass-veena that combines features of the double bass and rudraveena. With a 42” fretted fingerboard, dual resonators, and a mix of bowed and plucked techniques, it offers microtonal control, deep drone textures, and real-time string bending. Its sound travels from the lower body through a hollow neck conduit to an upper tumba resonator near the ear, supporting nuanced articulation across a wide dynamic and frequency range.

The Lethelium is a 24-string chromatic instrument built from bicycle and guitar components, featuring a rim-mounted resonator made of overlapping steel cups and a dual-gear tuning system modeled after the piano keyboard layout. Tuned across two octaves, it can be played with sticks, fingers, bows, or picks, and mounted on a cymbal stand for flexible positioning and rotation. Its modular design allows for tuning customization, part replacement, and diverse performance setups.

The Post-Digital Sax is a hybrid instrument that produces sound acoustically through a vibrating reed and wooden horn, while digitally controlling pitch via electromagnetic actuation. It eliminates tone holes and instead uses custom continuous keys, a thumb-operated octave switch, and joystick for real-time manipulation. The instrument supports purely acoustic timbre shaping through interchangeable bells and mutes, alongside digital functions like pitch transposition, looping, and OSC integration.